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What is very important in my work is the visual aspect of cinematic stories. This is why I often engage in art, creating patterns and showing emotions or action in purely visual form. Usually arranged in cycles, my graphics are often direct or indirect illustrations of/to my texts, literary or cinematic, and they correspond with these works in mood or themes. A special place among them is occupied by the still unfinished cycle of 64 designs-commentaries on I Ching.

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